August 2004 Issue

 

King Maximillian (1848-1864) was deposed because of his affair with the dancer Lola Montez.

 

 

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Young King Ludwig II (1864-1886) was the 18-year-old hope of Bavaria when he came to the throne. When shown on this 1871 gulden, he was well on his way to madness, having followed Wagner to Switzerland in 1866 and after losing the Seven Weeks War to Prussia in 1866.


    James C. Johnston Jr. was born in the historic Oliver Pond House in Franklin, Massachusetts where he has lived for 58 years. He holds B.A. and M.A. degrees in History and is the author of several books. He has also written more than 1,500 articles and monographs in The Numismatist, Linn’s Stamp News, The Regional Recorder, and other publications.
  
   Johnston was a teacher in the Franklin system for 34 years and has been associated with Johnston Antiques since 1962. He is a well known appraiser of antiques, books, fine arts, stamps, and coins. He is a founding member of the Massachusetts Suburban Antique Dealers Association, a member of the American Numismatic Association, and the American Philatelic Society. He has also been President of the Franklin Historical Society since 1985.

    Johnston is also a well known lecturer whose topics cover a wide range of social history, antiques, coins, stamps, and the fine arts, as well as, politics and political and military history.


 

 

 

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The Mad King....By James C. Johnston Jr.    Photos by Steven Vater


       Mad King Ludwig of Bavaria was a very strange man from an unhappy family. He became the ruler of the second largest of the German kingdoms because his grandfather Maximillian IV disgraced the throne by his very public displays of affection for the age’s hottest vamp and exotic dancer, Lola Montez.

“What Lola wants, Lola gets” are the words to a very popular song, and I guess it was all too true in 1864. But old grand-dad’s lack of virtue was not to be put up with by the very conservative Bavarians. Maximillian was forced to abdicate in favor of his 18-year-old grandson, Ludwig II.

Ludwig was the great royal hope for a new age of Bavarian glory. Like many teenagers, he was caught up in music. This time it was the highly romantic and nationalistic music of Richard Wagner. Wagner’s operas were like revolutionary declarations of war for German unity and nationalism. They also reached back to the misty past of mythic glory filled with Norse heroic Teutonic figures.

In 1848, Wagner even burned down his own theater as his revolutionary statement against the king of Saxony. Let’s just say that Ludwig and Wagner shared a flair for the dramatic. The collaboration of these two ultra romantics would lead to a spending spree of huge proportions for Wagner himself, the production of grand operas, and the building of castles for the boy king.

The king’s ministers blamed Wagner for Ludwig’s strange infatuation with German myth and castle building. Eventually they forced Wagner to leave the country and migrate to Switzerland. Ludwig grew lonesome for his pal Wagner, and slipped off to Switzerland to join Wagner and his family in exile. The king deserted his kingdom in the dead of night.

This thought filled Wagner and his bride, Franz Liszt’s daughter, with horror. Eventually Wagner convinced Ludwig that it was his duty to return, like a true Siegfried, to his royal obligation as king and protector of his people.

Tearfully, Ludwig departed, lost the Seven Weeks War to Prussia, then went back to castle building. As time passed, Ludwig supported Wagner’s new theater at Bayreuth. He once again became Wagner’s greatest patron. In fact, Ludwig often bought out the entire opera house for the night. As Mark Twain reports in his book, A Tramp Abroad, the king would sit in the opera house alone loudly cheering his favorite scenes from Wagner’s operas.

There was one scene involving a great deal of rain that Ludwig liked quite a bit. When the scene was finished, the king loudly applauded, cheered, and arose from his seat saying, “Bravo, Bravo, play it again. Play it once more.”

Once again, the singers, soaking wet and cold, would play the scene again, and again, and again, until the king was satisfied. Sometimes the singers would suffer dozens of soakings.

In time, the king would only travel at night from one castle to another. He dressed in black, rode in a black coach pulled by black horses, and was preceded by black clad riders on black horses carrying torches to light the way through the forests.

The ministers thought that it was time for the king to go. Ludwig was forced to abdicate his throne to his somewhat less mad younger brother, Otto. Otto had once shocked the people of Munich by appearing at high mass at the cathedral in the nude. He threw himself naked on the altar and begged forgiveness for his sins. Let us say he made a bit of a splash.

Today we would say that Ludwig and Otto were bi-polar (what we used to say was manic-depressive), and could not help themselves. Otto’s uncle Luitpold was named regent. Luitpold had the good grace not to demand repeated scenes at the opera involving rain or comporting himself about at mass in the nude.

Alas, poor Ludwig did not end up well. He was the first royal of Europe to be treated by an honest-to-goodness psychiatrist (a student of Sigmund Freud.) He became the first European royal to drown his psychiatrist just before he took a fatal swim out to an island to see his favorite cousin, Elizabeth, empress of Austria. How sad, but we do have coins of all these interesting characters to remember them by.

Elizabeth, Ludwig’s beautiful cousin, was empress of Austria as consort of Franz Joseph. Ludwig drowned swimming to an island to visit her after he killed his psychiatrist.

 

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This imperial Austrian Thaler shows Franz Joseph, emperor of Austria (1848-1916). He was Ludwig II’s ally in the Seven Weeks War against Prussia. Prussia drove Austria out of German affairs and embraced Ludwig’s Bavaria.

After 1871, Bavaria was a part of the German Empire. The kings of Prussia were Emperor of Germany from 1871 to 1918. This coin of Prussia carries the Imperial German Arms as did all the coins of the several German kingdoms, dukedoms, and free cities.

This two mark piece of Bavaria shows Prince Regent Luitpole who ruled in the place of his two unbalanced nephews, Ludwig II and Otto.

Impressed by Wagner’s German nationalism and the “Blood and Iron Chancellor: Otto Von Bismarck of Prussia, who brought off German unification in 1871, Leopold II became a convert to German unification. This Medal of Bismarck is by Karl Geotz.

A five mark coin of Otto.


          My Calendar

          If you want to catch up with me in August, I’ll be at the following shows. On August 8, 2004, I’ll be at Tom Lacey’s Greater Worcester Coin Show at the Best Western Yankee Drummer on Route 12 in Auburn, Mass. The summer show hours are 8:30 a.m. to 3:00 p.m.

On August 29, I shall be at Eric Botte’s Westford Show at the Westford Regency Inn. To get there, take exit 32 off route 495, and proceed to Route 110 to the Westford Regency Inn. The show hours are 9:00 a.m. to 3:00 p.m. I hope to see all of you Journal of Antiques and Collectibles readers there.

            You may email Jim Johnston at johnstonjim8@aol.com  You may also wish to check Jim's website for further updates.   www.johnstonantiques.com 
 

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